Laurencin is a difficult painter to study. In addition to her work not quite falling in line with the artists who were her contemporaries, her personal papers are difficult to access, are censored, and have strict limitations put on their use.
In the early 18th century, an engraver-turned-artist made his mark on the art world by producing satirical prints in series that commented on morality and society. And some of his work is used today as a teaching tool.
She's often called the greatest female painter of the Baroque period, though there were only a few to compare her to. Her work is extraordinary, and reflects the influences of her father Orazio Gentileschi and Caravaggio.