Griswold is most commonly known as Edgar Allan Poe's rival, and for creating negative characterizations of Poe that have endured more than a century. But his life story beyond his connections to Poe is worthy of examination on its own.
We have talked before on the show about pioneers who advanced the medical field specifically as it relates to infants, and today’s subject is definitely another to add to that list. But, there are some problematic elements to her story.
This episode features three unique women, all of whom are notable in their own way. The two things they have in common: They each have a surprising aspect to their stories, and they each have the name Belle.
Despite the huge impact the Lumières made with their multi-function motion picture camera, they didn't stay in the movie business. Louis went back to photography, and Auguste took a very different path.
The Lumières are often associated with early film technology, but that wasn't the only area where they innovated. This first of two parts covers their early life, and how they went from a successful photography business into building a film camera.
Katharina von Bora, Marguerite d’Angoulême and Jeanne d’Albret all left their mark on the Reformation, but all in different ways. Each of them has a unique part in the battle over religious affiliation in 16th-century Europe.
Based just on his art, you might imagine Edward Gorey as a dour Englishman, with the peak of his career sometime in the 1920s or '30s, whose childhood was marked with a series of tragic deaths. But Gorey was none of these things.
When we left off in part one, Emin Pasha had become governor of Equatoria in what's now South Sudan. But things took a dramatic turn in the 1880s, leading to Henry Morton Stanley mounting a relief expedition to go get him.
Emin Pasha's story connects to so many other historical things, particularly in the context of both the Ottoman Empire and African history. First, we'll talk about his time in Albania and how he made his way to Africa and took a new name.