Laurencin is a difficult painter to study. In addition to her work not quite falling in line with the artists who were her contemporaries, her personal papers are difficult to access, are censored, and have strict limitations put on their use.
Holly had the privilege of sitting down with Stephanie Stebich, director of the Smithsonian American Art Museum, for a chat in the museum. The discussion covers the building's history, one of the new exhibits there, and one of Stephanie's favorite items in the Smithsonian's collection.
Holly recently got to visit the set of LAIKA's new film "Missing Link," and the production team there agreed to be part of an episode about the history of stop-motion animation. This made for a supersized episode with a regular discussion of the topic, plus interviews with four members of the LAIKA team.
Museum Hack writer Hayley Milliman joins Holly to talk about the company's irreverent approach to getting people excited about history, and discusses the new book "Museum Hack's Guide To History's Fiercest Females."
After TV producer David Levy adapted the cartoons of Charles Addams into "The Addams Family," Charlie's life changed in a number of ways. As Addams aged, he sort of settled down, but as with everything, he did so in his own unique way.
Violet Paget, more often known by her pen name Vernon Lee, was a historian and an art and literary critic, and she wrote on myriad subjects including music, travel, aesthetics, psychology and economics. And she was well known for her ghost stories.
Even as his career in comics was at its zenith, Winsor McCay continued to explore other business ventures for his art. He added vaudeville performances to his busy schedule, and then became an animation pioneer.